A Portrait of Power, inspired by the Passion of Evita

Message from Alberta Ballet

CHRISTOPHER ANDERSON | Artistic Director

Welcome to our 2023/24 Season - a brilliant array of iconic tales and innovative new interpretations.

This season was conceived with all of Alberta in mind, and we are thrilled to start things off with the incredible Ballet Hispánico dancers under Eduardo Vilaro's artistic direction.

I’m so grateful for the opportunity to welcome this leading Latinx arts organization to our stage, both for the artistry of this sharp and striking work and for the powerful mission guiding their activity. For over 50 years, Ballet Hispánico has been providing space for Latinx dance and dancers to flourish, using training, authenticity of voice and power of representation to fuel the organization’s trajectory. These goals come together powerfully in Doña Perón.

Doña Perón is a beautiful example of the type of new narratives being created right now. Powerful stories with thick and complex emotional undercurrents are excellent starting points for choreographers, and the internationally-acclaimed Annabelle Lopez Ochoa was an inspired choice to choreograph the dance that brings Eva Peron’s story to life. Alberta Ballet’s May production, BOTERO, was also choreographed by Annabelle, and I’m thrilled that we can share more of her limitless imagination with Alberta audiences!

I hope you enjoy the performance and encourage you to share your experience with us afterwards.

Message from Ballet Hispánico

EDUARDO VILARO | Artistic Director & CEO

¡Bienvenidos! Welcome! 

It is such a joy to be here in Canada - we are thrilled to bring our Doña Perón to you. I would like to take a moment to share my sincerest gratitude to the Alberta Ballet, Chris George, Christopher Anderson, Ashley McNeil, and all the Jubilee Auditorium staff for making this performance possible.

Choreographer Annabelle Lopez Ochoa (who also created Alberta Ballet’s BOTERO from the 2022/23 season) has brought us Doña Perón, which furthers my vision to give place and voice to Latine choreographers. Annabelle’s work is an explosive portrait of Eva "Evita" Perón, one of the most recognizable and controversial women in Argentinian history. The illegitimate daughter of a prosperous farmer, Evita concealed her past as she rose from dancehall performer to Argentina's First Lady before her untimely death at the age of 33. Doña Perón brings to light the extremes of power at the forefront of Evita's life. Annabelle's first evening-length work for the Company, Doña Perón reclaims the narrative of the iconic Latina figure by a Latina choreographer; it’s a seminal work for Ballet Hispánico. 

So many thanks to all of you for joining us on this special night to celebrate our incredible artists. Your support of Ballet Hispánico is invaluable as we continue our work to build an inclusive community that celebrates and uplifts diversity, equity, and inclusion through our artistic practice.

¡Disfruten!

  • “...this turned out to be a milestone, a breakthrough: the company’s first evening-length production, and a striking one at that.”

    - The New York Times

  • “A production this sharp, transformative and fun renders any words written about it unsatisfactory. To understand it, just go see it.”

    - Broadway World

  • “a cutting edge crowd pleaser.”

    - The Washington Post

  • “Ballet Hispánico uses every element of artistry at its disposal. This isn't just a performance -- it is an entire universe.”

    - Broadway World

  • “Dance Theatre at its Best.”

    - Critical Dance

  • “One of the production’s greatest strengths is its thoughtful integration of movement — Lopez Ochoa’s high-varnish, athletic style of contemporary ballet, gorgeously danced by the whole cast — with handsome design elements.”

    - New York Times

Synopsis

THE ICON

Evita delivers her final speech to the Descamisados. Suddenly, a vision of a young Evita takes us back in time. Faced by her Father and his other family, Evita is forced to relive the rejection and shame she faced early on in life.

ASCENSION

Evita arrives in Buenos Aires and dances seductively with several men, each more powerful than the last. As she climbs the social ladder, she transforms from a simple small-town girl to an elegant star, hungry for more. 

HIS MILITARY WORLD 

Evita attends a benefit surrounded by Argentina's powerful military and elite. The vision of the Young Evita appears again. Evita rushes to hide her from sight just in time to meet Juan Perón for the first time. 

EVITA'S WORLD OF RADIO 

Evita’s power increases as her popularity grows on the radio. She is in her element as a voice for the people. 

BUILDING PERÓN'S IMAGE 

Evita welcomes Juan Perón into her world using her access to the radio and prowess as a speaker to rally support around him. As he becomes more powerful, those against him rebel. The attempt to place Perón in political power fails, and Juan Perón ends in jail.

THE DESCAMISADOS - PERÓN IS FREED 

The Descamisados unite and give strength to a struggling Evita. She is emboldened by their calls and rises as an advocate. The support of the Descamisados free Perón from prison and starts a new chapter of power for the Peróns. They marry and Evita becomes the first lady of Argentina. As the Peróns' power grows they stifle and destroy all opposition. 

THE OLIGARCHS REJECT EVITA 

Evita tries to blend in amongst Argentina's oligarchs and aristocracy, all of whom reject her. The vision of Young Evita comforts the humiliated Evita and empowers her. 

GATHERING POWER 

Evita builds her popularity, giving out shoes to the Descamisados. She calls them to arms and to fight for their rights, acting out against the oligarchs and upper class who rejected and humiliated her. 

THE FINAL MOMENT 

Succumbing to cancer, Evita dies in the arms of Perón. The Descamisados lead the funeral procession. 

THE LEGACY 

Evita and the Descamisados are engulfed by the iconography of her life. Evita's legacy remains. Even in death she is triumphant.

Choreography | Annabelle Lopez Ochoa

Artistic Collaborator | Nancy Meckler

Music | Peter Salem

Lighting, Set, and Video Design | Christopher Ash

Costume Design | Mark Eric

Ballet Hispánico Dancers

Nightly Casting

Subject to Change

Evita Perón | Amanda del Valle

Juan Perón | Antonio Cangiano

Young Evita | Amanda Ostuni

Parents and Child | Isabel Robles and Omar Rivéra with Isabella Vergara

The Descamisados | Fatima Andere, Amir Baldwin, Leonardo Brito,
Daryn Diaz, Ana Estrada, Paulo Hernandez-Farella,
Cori Lewis, Dylan Dias McIntyre, Adam Dario Morales, Omar Rivéra,
Isabel Robles and Isabella Vergara

MUSICIANS

MUSIC DIRECTOR/BANDONEONIST | Hector Del Curto

PIANIST/CONDUCTOR |Ahmed Alom Vega

PERCUSSIONIST | Brian Shankar Adler

VIOLINIST | Sami Merdinian

CELLIST | Jisoo Ok

Creative Team for Doña Perón

  • Annabelle Lopez Ochoa has been choreographing since 2003 following a twelve-year dance career in various contemporary dance companies throughout Europe. She has created works for sixty dance companies worldwide including Ballet Hispánico, Atlanta Ballet, Cincinnati Ballet, Compañia Nacíonal de Danza, Dutch National Ballet, Finnish National Ballet, Royal Ballet of Flanders, Ballet du Grand Théâtre de Genève, Göteborg Ballet, Joffrey Ballet, BJM-Danse Montréal, New York City Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, English National Ballet, San Francisco Ballet, and Les Grands Ballets Canadiens, to name a few. In 2012, her first full length work, A Streetcar Named Desire, originally created for the Scottish Ballet, received the Critics' Circle National Dance Award for "Best Classical Choreography" and was nominated for a prestigious Olivier Award for Best New Dance Production the following year. Annabelle was the recipient of the Jacob's Pillow Dance Award in 2019.

  • Based in London, Nancy Meckler is a freelance director of theatre, film and dance. She ran Shared Experience Theatre, a UK touring company, for over 20 years and has directed for the Royal Shakespeare Company and Shakespeare’s Globe. Nancy was the first woman to direct at the National Theatre. She first collaborated with Annabelle Lopez Ochoa in 2012 when they created their award winning ballet of Streetcar Named Desire for Scottish Ballet. Since then they have worked together on Broken Wings, Frida, and The Little Prince. She also directed two feature films for Channel Four including Alive and Kicking, a film about a dancer, which won the Audience Award at the London Film Festival.

  • Peter’s work is currently divided between scores for contemporary ballet and film & television.

    His work with Annabelle Lopez-Ochoa includes the score for Scottish Ballet’s Olivier Nominated and South Bank Sky Arts Award-winning ballet a Streetcar Named Desire, English National Ballet‘s Broken Wings based on the life of Frida Kahlo, Frida for Dutch National Ballet and The Little Prince for BalletX. Other ballet scores include Atlanta ballet’s Camino Real based on the play by Tennessee Williams and Scottish Ballet’s The Crucible (both choreographed by Helen Pickett) for which he was nominated for a British Dance Award.

    His media work is also internationally renowned, principally his music for Call the Midwife (BBC) as well as other high profile productions including dramas such as Cider With Rosie, Five Daughters, Great Expectations (BBC) and documentaries including Francesco’s Venice and Simon Schama’s The Power of Art (BBC2).

    Extensive theatre work includes many scores for productions by the Royal Shakespeare Company, The Royal National Theatre and Shared Experience Theatre.

  • Philadelphia-based Designer and Filmmaker, Christopher Ash’s work has been seen in 13 countries and been recognized for 15 awards. Equally at home designing projections, scenery or lighting for theatre, opera, and dance as well as direction and cinematography for film. Christopher is currently involved in a multi-phase Guggenheim Works and Process commission with artist John Jarboe. He is also co-creator of an ongoing multi-sensory performance piece “Body Language” with Dublin based dance artist David Bolger and CoisCéim Dance Theatre.

  • Mark Eric is a costume and fashion designer based in New York City, where he trained at the Fashion Institute of Technology. After designing for several New York City fashion houses, he discovered his passion for costuming for the stage. He enjoys bringing his couture fashion sensibility to his design, often employing artisanal techniques when creating his signature costumes. He has designed costumes for: Robert Battle, Darrell Grand Moultrie, Annabelle Lopez Ochoa, Rennie Harris, Robbie Fairchild, Stefanie Batten Bland, Andrew McNicol, and Marguerite Donlon to name a few. He has costumed works for the Alvin Ailey American Dance Theater, American Ballet Theater, BalletX, Ballet Hispanico, Ailey II, among others. Instagram @MARKERICdesign.

Ballet Hispánico Artistic Team

  • Eduardo Vilaro is the Artistic Director & CEO of Ballet Hispánico (BH). He was named BH's Artistic Director in 2009, becoming only the second person to head the company since its founding in 1970, and in 2015 was also named Chief Executive Officer. Mr. Vilaro has infused Ballet Hispánico’s legacy with a bold brand of contemporary dance that reflects America’s changing cultural landscape.

    Mr. Vilaro’s philosophy of dance stems from a basic belief in the power of the arts to change lives, reflect and impact culture, and strengthen community. He considers dance to be a liberating, non-verbal language through which students, dancers, and audiences of all walks of life and diverse backgrounds, can initiate ongoing conversations about the arts, expression, identity, and the meaning of community.

    Born in Cuba and raised in New York from the age of six, Mr. Vilaro’s own choreography is devoted to capturing the Latin American experience in its totality and diversity, and through its intersectionality with other diasporas. His works are catalysts for new dialogues about what it means to be an American. He has created more than 40 ballets with commissions that include the Ravinia Festival, the Chicago Sinfonietta, the Grant Park Festival, the Lexington Ballet and the Chicago Symphony.

    A Ballet Hispánico dancer and educator from 1988 to 1996, he left New York, earned a master’s in interdisciplinary arts at Columbia College Chicago and then embarked on his own act of advocacy with a ten-year record of achievement as Founder and Artistic Director of Luna Negra Dance Theater in Chicago.

Ballet Hispánico Production Team

Company Manager | Lauren Evans

Production Director | Adrian White

Technical Director & Lighting Supervisor | Caitlin Brown

Stage Manager | Morgan Lemos

Wardrobe Supervisor | Olivia Kirschbaum

Audio Supervisor | Brian McCorkle

  • Johan was born in San Juan, Puerto Rico and began his dance training at the School for the Performing Arts, PR under the direction of Waldo Gonzalez. Johan graduated Magna Cum Laude with his BFA from the New World School of the Arts/University of Florida in 2013. While there, he had the opportunity to perform the works of Robert Battle, Kyle Abraham, Peter London, Daniel Lewis, Merce Cunningham and Doris Humphrey as well as simultaneously working with local dance companies in Miami, Florida. During his tenure with the Ballet Hispánico Company, Johan had the pleasure of performing the ballets of choreographers such as Annabelle Lopez Ochoa, Gustavo Ramírez Sansano, Pedro Ruiz, and Eduardo Vilaro. In addition, he was a vital member of Ballet Hispánico’s Community Arts Partnerships team as a teaching artist while on tour and at home in NYC. Aspiring to further his knowledge and skills, Johan ventured into the world of higher education. In 2016, he received a Master of Arts in Executive Leadership with high honors, an achievement he dearly treasures as the first member of his family to have this opportunity. Upon graduation, Johan had the honor of mentoring and directing second company BHdos in the fall of 2016 before taking over as Rehearsal Director for Ballet Hispánico’s main Company. After four seasons as the Rehearsal Director, Johan transitioned to Ballet Hispánico's marketing department as the Digital Marketing Manager, playing a key role in the development and creation of the organization's virtual programming. Now, as the Artistic Associate & Rehearsal Director, Johan supports the artistic curation for the company and the implementation of Ballet Hispánico’s core artistic programs created to expand the organization’s legacy of artistic access.

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We’ve prepared a full calendar of inspiring activity for our donors in 2023-24 season!

​Our Donor Programs include Dance Circle and the Patron Program, and all membership donations through these program are eligible for a charitable tax receipt.*​​

Dance Circle – As a Dance Circle member, you help shape the future of Alberta Ballet with voting rights at our AGM and a deeper connection to our work. Plus, a Dance Circle membership enhances your subscription experience with special performance night benefits. 

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​Tier 1: Connect with a community of dance lovers at events where you learn more about the artists in Alberta Ballet​​

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If you’re a passionate Alberta Ballet subscriber, consider taking part in our donor activities!

To find out more, email us at donate@albertaballet.com.

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 BOARD OF DIRECTORS

2023/24 GOVERNMENT FUNDERS AND COMMUNITY PARTNERS